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Lee, who recounts life in Mexico City among American expat students and bar owners surviving on part-time jobs and GI Bill benefits. He is driven to track down a young man named Allerton, who is based on Adelbert Lewis Marker. IMDb editor Arno Kazarian offers quick summaries of 12 films he has screened at the 2024 New York Film Festival, including Anora and the dangerous, curiously erotic Misericordia .. Luca Guadagnino said in an interview that Queer is a project he wanted to do since he was 20.. References Οι λεγεωνάριοι (1999). The central character in both films is unambiguously gay, while the object of his desire is harder to identify.
As in the previous film, we are not in America, but we are among Americans. However, while the protagonist in CALL ME BY YOUR NAME was a sexually pulsating teenager, here we focus on a middle-aged, addicted writer. He is played, superbly, by Daniel Craig. The first part of QUEER involves a will-they?/w't-they like Craig’s character William Lee yearns/longs for fresh ex-soldier Eugene Allerton, superbly played by Drew Starkey. With excellent support from Jason Schwartzman and. Drew Droege, playing other inhabitants of the local cafes and bars, the film keeps a steady pace.
The writing (Justin Kuritzkes, based on the book by William S. But the film shifts into another gear in the final third, when Lee and Allerton go on a trip to find a plant that Lee understands could unleash the human capacity for telepathy. This unlikely adventure eventually leads to an encounter with a certain Dr. Cotter, whom they find deep in the jungle conducting research. Dr. Cotter is played in a stunning performance by the great Lesley Manville, unrecognizable at first, so complete is her transformation.
It’s fascinating that even a good actor like Daniel Craig is unfortunately somewhat dwarfed by a great actor like Manville in a part that shows her at her best. She does nothing but her job. Give that woman an Oscar, please. QUEER is made with great care, has many outstanding sequences and is interestingly indebted, as Guardagnino himself stated, to the work of Michael Powell and Emeric Pressburger. It is a film about a deep desire to come into contact, even to the point of fusion, with another human being. In this sense, again, like the best of Powell and Pressburger, it is highly romantic.
For some, it might feel excessive. For me, the difference between, say, BLACK NARCISSUS or A KEY TO LIFE AND DEATH and this film, is that I just walked away watching QUEER, rather than being captivated by it, as I was with CALL ME BY YOUR NAME, which is , admittedly, a smaller film. Worth seeing.. See the full schedule for the 62nd New York Film Festival this fall.
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